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![]() ![]() Processing and printing your own black-and-white photographs is not only easy, but it’s also very satisfying. While digital methods (even cameras) can approximate a black-and-white photograph (and offer some definite advantages in terms of retouching and tonal control), there’s no substitute for the intangible, subtle quality provided by a conventional silver gelatin black-and-white print. Nothing can replace the excitement of watching your first print appear in the developer tray, or the control supplied by your choice of developer, dilution, and time spent processing film. Yet now, more than ever, the traditional darkroom has found its niche as a sanctuary for the true photographic artist. ![]() ![]() However in this article I will explain how to build a darkroom. I’ll admit, it’s been five years since I shot a black-and-white roll of film for a client. In this age of high quality digital scanning and output, it seems that the days of the chemical darkroom are over. ![]()
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